shows photos of Japan between the 1860s and 1930s. In 1854, Japan opened its doors to the outside world for the first time in more than 200 years. It set in motion a truly astounding transformation. As fate would have it, photography had just been invented. As the old country vanished and a new one was born, daring photographers took photos. Discover what life was like with their rare and precious photographs of old Japan.

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Geisha: Women of Japan's Flower & Willow World • Tina Skinner, Mary L. Martin

Over 500 beautiful photographs and postcards, mostly of between 1900 and 1940, take you back to Japan’s now-extinct licensed pleasure districts. You will keep opening up this book again and again. A beauty!

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« Woman Writing Letter • Dotonbori Theater Street »

Tags: Unknown • Meiji • Studio • At Work • People
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A craftsman, wearing a traditional chonmage (topknot) hairstyle, is working on a Shamisen, a three-stringed musical instrument played with a Bachi (plectrum), while being assisted by a woman in kimono. In the back five shamisen rest against the wall.

To work more easily, the craftsman has freed his right arm from his haori.

The shamisen has a long history. Around 1390 a snake-skin covered three-string instrument was developed in China, which was later introduced into the Ryukyu Kingdom. It became known as the snake-skin covered sanshin (also: jabisen).

About a century later, this instrument was improved upon by the Ryukyu musician Akainko, who established the foundation of Ryukyu sanshin music.

The sanshin was introduced into Japan by trade ships around 1562. Because snakeskin was not as common in Japan as in the Ryukyu Kingdom, it was replaced by dog or cat skin. Other changes made the instrument so different that by the Azuchi-Momoyama Period (1568-1603) it had developed into a new instrument, the shamisen.

The shamisen became incredibly popular and by the Edo Period (1603-1868) was an indispensable part of kabuki and music in general. [1]

While the shamisen is still going strong and has even been used in Jazz, chonmage are now only worn by sumo wrestlers.

The chonmage was only worn by men and originally used by samurai to hold their helmet steady during battle. The top of the wearer’s head was shaved, while the remaining hair was oiled and tied into a small ponytail folded onto the top of the head in a topknot. As chonmage was associated with samurai, it was seen as a status symbol and was very popular.

In 1871 the Danpatsurei edict encouraged samurai to cut off their chonmage. It created a small photography boom when samurai rushed to photo studios to get their photo taken before their chonmage was cut off.

As a result of the edict, Western hair styles, called jangiri (also: zangiri) in Japanese, became increasingly popular. This in turn encouraged photographers to seek out people wearing chonmage.

This photo is featured in Japan, Described and Illustrated by the Japanese, edited by Captain F Brinkley.²

The photographs for this publication were sourced by Kozaburo Tamamura (1856-1923?), but it is not known who the photographer is of this image.

¹ Columbia Music Entertainment, Japanese Traditional Music: Shamisen. Retrieved on 2008-03-10.

² Captain Brinkley, Frank (1897). Japan, Described and Illustrated by the Japanese, Shogun Edition. J B Millet Company..

Map not available

Photographer: Unknown
Publisher: J B Millet Company
Medium: Albumen Print
Image Number: 70614-0005
Quote this number when you contact us about licensing this image

Thumbnail URL: http://oldphotosjapan.com/images/18t.jpg

Posted by Kjeld Duits • 2008-03-13

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